Akshay Kumar News – play sikh for upcoming next Singh Is King Sequel Patiala House Movie

 














Akshay Kumar Upcoming Next Movies 2010 - Singh Is King 2, Patiala House, Action Replay, Tees Maar Khan

Latest Akshay Kumar News 2010:-

(1) Akshay Kumar made the nation dance to his tune with his Sardar act in Singh Is Kinng, Director Vipul Shah has already finished the script of the Singh Is King sequel. However, a little known fact is that Akshay has played a Sikh once again for his , Patiala House.

(2) Akshay Kumar Next Film Patiala House Movie Story:- “Patiala House is a story about a Punjabi family and a cricketer based in Southhall, London; Akshay plays the lead role of a Sardar who is a cricketer. The idea of portraying Akshay as a Sikh was an afterthought as Akshay’s character in Singh is Kinng was very popular. Both Nikhil Advani and Akshay are extremely excited about the film, which will be released in February 2011 as the film Action Replay will now have a Diwali release while Tees Maar Khan is scheduled to release in December.

(3) Akshay Kumar Bollywood Latest Releases Khatta Meetha Movie:-

As per Latest Akshay Kumar Interviews, he said that, "In Khatta Meetha, I tried to make people laugh because it's very important to create laughter. Check the success record of the past five years. Most successful films have been hasya kathas (laughathons). Even for Khatta Meetha, I charged nothing. I sold it at a reasonable price. Action Replay, Tees Maar Khan and Patiala House are almost ready. I've no new projects for next year. On the large screen, I'd rather be smaller instead of larger than life.

Akshay Kumar is all set to go to Hollywood, he will be donning the cap of a producer.An Indo-Canadian movie called 'Break Away' will be produced by Akshay Kumar and directed by Robert Lieberman. Canadian-born, Emily Van Camp will be a part of the cast.

Akshay Kumar Son Aarav Kumar Birthday Celebration News Interviews

 










Action Replayy Movie Release Date - November 5 2010

 
(1) Akshay Kumar and Akshay Kumar wife Twinkle Khanna had a grand bash for their son Aarav Kumar eighth birthday on Aarav Kumar Birthdate September 15 at a friend's hotel. Akshay Kumar never works on Aarav's birthday and makes sure all his appointments and shoots are scheduled for other days.

(2) As per Latest Akshay Kumar Interviews, she said that, “Mein paranthewali gali wala ladka hoon (I am from the lane of paranthas), and I love to make different types of paranthas when it comes to Indian cuisine,”

(3) Director Prabhu Deva will now direct Akshay Kumar in an untitled film. He was approached by filmmaker Sanjay Leela Bhansali for the film. Costume designer Sabina Khan will co-produce the film. Akshay Kumar will do a musical dance drama, which will exhibit his dancing skills.

Sanjay Leela Bhansali is casting Akki in his big budget production and Akshay is set to learn some classical Indian and many other dancing styles for his role. He may be given an exclusive dance coach to practice too.

Dabangg first day box office collection report

The Salman Khan starrer Dabangg has opened to a phenomenal response at the box office.

The movie opened to 100 per cent occupancy across single screens in India. On the other hand, in multiplexes too, the response has been heartening with approximately 80 - 100 per cent occupancy.

Dabangg has taken a thunderous bumper opening all over India and it is pretty clear that it is going to be the first or second biggest first day in the history Hindi cinema. Dabanng to be number one will have to cross the Three Idiots day one figures. The day one territorial numbers of Three Idiots that Dabangg chases are below.

Mumbai - 5.22 crore

Delhi/UP - 2.39 crore

East Punjab - 1.10 crore

West Bengal - 72 lakhs

Bihar - 18 lakhs

CP Berar - 53 lakhs

CI - 48 lakhs

Rajasthan - 68 lakhs

Nizam - 70 lakhs

Mysore - 60 lakhs

Tamil Nadu/Kerala - 20 lakhs

Assam - 13 lakhs

Orissa - 7 lakhs

TOTAL - 13 crore

As per early indications many of these day one circuit records of Three idiots are going to fall but it will be Mumbai collections that will determine whether Dabangg crosses Three Idiots. Three Idiots was just out of this world in the Mumbai circuit especially in Mumbai city and Pune and if Dabanng can get to within 10% of Three Idiots Mumbai figure of 5.22 crore it is likely to become the biggest opener ever.

Salman Khan Gives Green Signal To Andaaz Apna Apna 2

Bollywood Superstar Salman Khan is one actor who stands by his producers and directors in need. This time veteran Producer Vinay Sinha approached the actor to work with him. It has been heard that the veteran producer has been going through a bad patch and when he approached Salman to do a film with him, the actor immediately agreed.

Salman met the producer and they had lengthy discussions as to the script of the movie. Finally they both settled on the sequel of their 90’s hit Andaaz Apna Apna. The film starred Aamir Khan, Salman Khan, Karishma Kapoor and Raveena Tandon in the lead and was directed by Rajkumar Santoshi.

Since Salman and Aamir have taken their relationship forward and have been bonding together of late, they have shown interest in working together too. Hence producer Sinha now plans to approach director Rajkumar Santoshi and Aamir Khan for the remake. Producer Sinha says “Yes I approached Salman and he agreed immediately. I was touched by his gesture. I plan to approach Rajkumar Santoshi and Aamir now. Hope everything works out fine.”

The producer further adds that “in case things do not work out with Rajkumar Santoshi and Aamir Khan, I will have to rework on the project and approach other directors and actors for the same. But for the time being I have only Salman and Aamir on my mind.”

And he have not yet decided any actresses in the Andaz Apna Apna Sequel, lets see who will be the actresses in the film, i guess Zareen Khan and Katrina Kaif what you think who will be the actresses in the film???

Salman forces Mahesh Manjrekar to break his promise

Mahesh Manjrekar had vowed to give up acting but his new best-friend Salman Khan keeps coaxing him back to the camera. For Salman's home production Dabanng, Manjrekar stepped into the role of debutante Sonakshi Sinha's father on Salman's say-so. That was meant to be Manjrekar's swan song as an actor.

But now he has again been persuaded to face the camera with Salman for Anees Bazmee's Ready. The funniest part of the director's enforced career as an actor is, he doesn't know what his role in Ready is.

Says Mahesh, "Salman said you have to do it. I know I decided I won't be acting anymore. But you can't say no to Salman. He said, 'You're in Ready and you're part of my family in the film. Beyond that, all I know is I play a positive role for a change."

Kareena Kapoor and Saif Ali Khan On the Sets of Agent Binod

Kareena Kapoor and Saif Ali Khan On the sets of Agent Binod

Kareena Kapoor and Saif Ali Khan on shooting spot

Kareena Kapoor and Saif Ali Khan On the sets

Peepli [Live] : Movie Review by Taran Adarsh

When Aamir Khan produces a film, or is associated with any film in the capacity of an actor, be prepared for the unpredictable. Films like TAARE ZAMEEN PAR and 3 IDIOTS took pot shots at the education system in India and PEEPLI [LIVE], directed by Anusha Rizvi, is a tongue-in-cheek satire on the farmers' suicides and the role of vote-hungry politicians and the over-enthusiastic, TRP-seeking desperate electronic media jostling for eyeballs.

Come to think of it, the concept [farmers' suicides] would instinctively translate into a serious, thought-provoking film. But PEEPLI [LIVE] takes a grim and solemn issue, turns it into a satire, garnishes it with populist sentiment and makes a far greater impact than a mere documentary, had it tackled the burning issue. In fact, like all Aamir Khan films, PEEPLI [LIVE] marries realism with a winning box-office formula most brilliantly.

A sad fact of our society is that bad news attracts instant attention. In PEEPLI [LIVE], an impoverished man offers to commit suicide so that his family can benefit from a government grant - a dark subject matter which is dealt with in a delightfully humorous manner. In fact, it's a terrific satire about a troubled India, the shining India, the industrialised India that's rarely depicted on the Hindi screen.

PEEPLI [LIVE] focuses on the poorest of the poor in India and it not only highlights the plight of a farmer in a tiny corner of a giant country, but also throws light on the varied people who exploit the situation to their advantage, right from the politicians to the bureaucrats to the television reporters to the local people. In fact, PEEPLI [LIVE] makes a scathing attack on the functioning of media in India and how media persons, depicted as vultures, generally stoop to the lowest levels to increase the ratings of their television channel/show.

The best part is that at no point does the film gets preachy or starts offering solutions to the grave issue. It's a mere tool that the makers have used to discuss bureaucracy, the rural and urban divide and lack of concern of the administration.

Final word? This tragi-comedy, a brilliant satire, is not to be missed.

Natha [Omkar Das Manikpuri], a poor farmer from Peepli village in the heart of rural India, is about to lose his plot of land due to an unpaid government loan. A quick fix to the problem is the government's program that aids the families of indebted farmers who have committed suicide. As a means of survival, Natha chooses to die. His brother [Raghubur Yadav] is happy to push him towards this unique honour.

Local elections are around the corner and what might've been another unnoticed event turns into a cause célèbre, with everyone wanting a piece of the action. Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. Natha's mother [Farrukh Jaffer] screams at his wife [Shalini Vatsa], while his young son urges papa to go through with the suicide so he can use the money to become a policeman.

One TV journalist, in a desperate search for a new angle, tries to examine Natha's faeces to determine his emotional state. Nobody seems to care how Natha really feels.

PEEPLI [LIVE] tells the story of today: Rural society, the games politicians play, the bureaucracy and the manipulative electronic media. It's a well penned and well executed film that deals with a serious issue in a witty and entertaining manner. Although very real, it creates a world full of vivid characters and incidents and keeps the viewer engrossed throughout.

Aisha : Movie Review by Taran Adarsh

AISHA holds appeal for the youth mainly and there's a strong likelihood that this segment of movie-going audience will fall for its charms.

Recall the age-old adage: Marriages are made in heaven. Consummated on earth. But haven't we encountered lots of people in real life who try to set things up between friends/acquaintances? In fact, they take upon themselves to make matches and meddle in other people's affairs. That, in a nutshell, is the plotline of AISHA.

Let's get one thing straight. You are not exploring virgin territory with AISHA. 'Emma', the Jane Austen novel, has been adapted on film and television in the past. Although first published in 1815, almost 200 years ago, director Rajshree Ojha and writer Devika Bhagat transport the characters from this novel to present-day New Delhi. But the essence remains the same: A simple plot and an equally simplistic love story.

Unlike most love stories that we've witnessed on Hindi screen, there's no heavy-duty dramebaazi in AISHA, no major hurdles to cross, no parental opposition to encounter, no major conflicts to solve. The director and writer remain faithful to the novel, which prompts you to ponder, wish the relationships were so uncomplicated in today's times.

But there's a flipside as well. The film runs a little longer [although the running time is 2 hours] and gets painfully slow in some portions. Besides, AISHA lacks the depth of passion and that could be because the makers were trying to make something lighter and breezier. Sweeping the minor complaints aside, AISHA is watchable for two factors mainly: Neat performances, especially by Sonam Kapoor and Amit Trivedi's super musical score.

Final word? The romantic buried inside all of us may respond to AISHA well.

Aisha [Sonam Kapoor] is a girl with a simple diktat -- everyone's business is her business. Arjun [Abhay Deol] is a boy with even a simpler set of beliefs -- Aisha should mind her own business. Caught in the Delhi upper class world with its own set of social rules, Aisha navigates her world with a great sense of style and even greater optimism.

Caught in her web are her best friend Pinky [Ira Dubey], the small-town girl Shefali [Amrita Puri], the West Delhi boy Randhir [Cyrus Sahukar] and the hunk Dhruv [Arunoday Singh]. Aisha will make sure everyone dances to her tune. And all Arjun wants to do is disentangle that web and get Aisha out of an impending sticky mess.

Director Rajshree Ojha and writer Devika Bhagat introduce the principal characters at the very outset and within minutes, you know their traits as well. The entire first hour is filled with the assorted characters interacting with one another and technically speaking, there's hardly any movement in the story. In fact, the first hour is more of a collage of incidents and moments put together on a beautiful canvas.

But the wheels start moving towards the post-interval portions, when the lead characters [Abhay, Sonam] suffer from pangs of jealousy and the remaining characters find themselves at crossroads as far as relationships are concerned. From this point onwards, AISHA gets more and more engaging. Note the confrontation sequence between Sonam and Amrita, which leads to a bitter outburst by the latter. Note the sequence when Sonam professes love for Abhay at a marriage reception, only to realise later that she had walked into a wrong venue. Note the finale, which is very Mills & Boon type of culmination. Well penned and well executed sequences!

Director Rajshree Ojha has handled several moments well, but how one wishes she would've spruced up the proceedings by coming straight to the point, instead of depicting Abhay and Sonam in sulking moods in several sequences of the second hour. Also, from the writing point of view, Cyrus and Ira Dubey suddenly realise that they are made for each other. Why this sudden pyaar? Didn't they detest each other? Loving the same musician doesn't imply you are made for each other! There had to be a scene or two to indicate that they are drawn towards each other.

The production design [Shruti Gupte] is impressive. The film bears a striking look all through. The styling of all characters is up to the mark. The costume designers [Pernia Qureshi and Kunal Rawal] deserve full marks for choosing/making the trendy outfits. Diego Rodriguez's cinematography is appealing. Music composer Amit Trivedi is in form, displaying his versatility in various numbers such as 'Shaam', 'Suno Aisha' and 'Gal Mitthi Mitthi Bol'.

AISHA is sure to open eyes to the talent of its leading lady Sonam Kapoor, who gives face, form and expression to Aisha. She displays the essential characteristic of an actress who has the ability to shift quickly and effectively from one emotion to another. She can cry, look wistful and deliver a biting line with equal believability. Abhay Deol is a complete natural and the fact comes to the fore yet again as you watch AISHA. Although Sonam has an author-backed role, Abhay underplays his part well and registers a strong impact in several scenes.

We Are Family : Movie Review by Taran Adarsh

Friday, September 3, 2010 at 9:41 AM Posted by nrmodh

WE ARE FAMILY is a perfect family film with a good mix of emotions and humour. Plus, a brilliant climax, which will ensure that the film grows with a strong word of mouth. The last film which came close to being a family outing was PAA. Before that, the only quintessential family film was BAGHBAN. WE ARE FAMILY is the kind of film that should work instantly with ladies and when ladies watch such films, they bring their spouses and children along. Recommended!

Okay, WE ARE FAMILY is the official adaptation of Chris Columbus' STEPMOM [1998] and lots of us have already watched this Julia Roberts - Susan Sarandon starrer. Even otherwise, the story of a woman, diagnosed with a terminal illness, entrusting her kids to the 'other woman' before she does the final salute, gives the feeling of deja vu. But WE ARE FAMILY is not a tear-jerker. Sure, it has dollops of emotions, but also integrates the light moments wonderfully in those 12 reels.


In the good old days, in the 1960s and 1970s specifically, well-made family films struck an instant chord with viewers across the spectrum. But with the changing times, the quantum of well-made socials made a rapid decline. WE ARE FAMILY belongs to the Rajshri gharaana and tells the story of a family facing two life-changing developments: The woman of the house is diagnosed with a terminal illness and two, there's a stepmom on the scene. A difficult subject to handle, without doubt.

But debutant director Siddharth P. Malhotra surprises you constantly. Casting the best available talent for two pivotal parts and doing complete justice to their roles is tough. Very tough. But the ease with which he handles the tense moments between the women and also the emotional finale shows he has learnt his lessons well from his peers.

Final word? WE ARE FAMILY is for the family. It is well acted, deftly written, entertaining and broadly appealing drama. Watch it with someone you love!

Maya [Kajol] is the perfect mother. Her life revolves around her three children, Aleya [Aanchal Munjal], Ankush [Nominath Ginsberg] and Anjali [Diya Sonecha]. Despite being divorced from her husband Aman [Arjun Rampal], Maya has ensured that everything runs smoothly in her house, under her watch, and that they continue to remain a happy family unit.

When Aman introduces his girlfriend, Shreya [Kareena Kapoor], a career-oriented woman, the situation takes an unexpected turn. However, Maya is diagnosed with a terminal illness and circumstances bring the two women under the same roof. Can two mothers make a home?

With a plot like this, you expect WE ARE FAMILY to be an out-and-out serious outing. However, the film has its serious moments, but the director ensures that it doesn't come across as a gloomy and serious fare. In fact, the generous dose of light moments in the narrative keeps the drama fluid. There's an inherent sensitivity that the director brings in, which keeps you involved for most parts.

On the flip side, the film tends to stagnate in the middle of the second hour. One expects the story to move forward, but there's not much movement here [thankfully, the film picks up wonderfully towards the penultimate reels]. Also, the music by Shankar-Ehsaan-Loy is a complete letdown. You feel it all the more because Dharma is synonymous with excellent music. The only redeeming track in the enterprise is 'Let's Rock', which is high on energy. S-E-L need to reinvent themselves by experimenting a little more.

Director Siddharth P. Malhotra handles the dramatic portions best. The tense moments between Kajol and Kareena, the confrontation between the two and also the cold stares that they exchange time and again have been captured very well. The gradual transformation in Kajol's looks, from striking and energetic to pale and morose, is also well projected. The finale is the best part of the enterprise and can be best described in one word: Outstanding. However, like I pointed out earlier, the writing could've been tighter towards the second hour.

Mohanan's cinematography is eye-catching and the locales of Australia only enhance the look of the film. Niranjan Iyengar's dialogue are decent at places, but a few lines are amazingly real. The background score [Raju Singh] is first-rate.

WE ARE FAMILY gives the two popular actresses an opportunity to sink their teeth into strongly drawn, juicy, challenging and interesting female roles that move beyond the normal stereotypes. The scene stealer is, without doubt, Kajol. She expresses the gamut of emotions brilliantly and speaks a million words even when silent. This is yet another incredible performance from an actor par excellence. Kareena excels yet again and her sequences with the kids are a delight. In fact, casting Kareena as the stepmom is just right, since she's the only actor who can stand up to Kajol in high-voltage scenes and that's because Kareena is a powerful actor herself. Arjun continues to surprise. ROCK ON, HOUSE FULL, RAAJNEETI and now WE ARE FAMILY indicates the growth of this actor. He handles the emotional moments well too. The kids - all three of them - are superb. In fact, the casting of the kids [done by Shanoo Sharma] is an ace.

Action Replay Songs PK Download Free

Download songs of Action Replay Movie Online from songs pk directly. The movie is schedule to be released on Jul 30, 2010. Share, Listen and Download the music and songs of film Action Replay songs pk. Action Replay is directed by Vipul Shah.

Action Replay is upcoming bollywood movie produced by Vipul Shah, celebrities which are casting in Action Replay are Akshay Kumar, Aishwarya Rai, Neha Dhupia and Randhir Kapoor.
Watch here Online videos of Rajneeti, Watch hottest scenes of Action Replay, You can enjoy watching them online now. Watch Online Action Replay Movie Action Replay Songs and music Clips.

Summer of 42 Movie Trailer Watch Online

Summer of ‘42 is a 1971 American “coming-of-age” drama film based on the memoirs of screenwriter Herman Raucher.

Movie story is all about  Raucher as a boy, in his early teens on his 1942 summer vacation on Nantucket Island, off the coast of New England, who embarked on a one-sided romance with a woman, Dorothy, whose husband had gone off to fight in World War II.

The film was directed by Robert Mulligan, and starred Gary Grimes as Hermie, Jerry Houser as his best friend Oscy, Oliver Conant as their nerdy young friend Benjie, Jennifer O’Neill as Hermie’s mysterious love interest, and Katherine Allentuck and Christopher Norris as a pair of girls whom Hermie and Oscy attempt to seduce.

Jennifer O'Neill, Summer of 42 Movie Actress, Photo

Jennifer O'Neill (born February 20, 1948) is an American actress and author. O'Neill was born in Rio de Janeiro, Brazil, the daughter of a Spanish-Irish businessman and his English wife. 

As a teenager, O'Neill worked as a fashion model and appeared in television commercials and on magazine covers before moving to films.

In 1968 she landed a small role in For Love of Ivy. In 1970 she played one of the lead female roles in Rio Lobo starring John Wayne.

After her success in Summer of '42 in 1971, in which she plays the young widow of a soldier killed in World War II, O'Neill became a well-known Hollywood actress and continued acting for the next two decades, including singing in the Chrysler Corporation commercial "Change in Charger" that represented the end of the Dodge Charger in 1975. 

She played the part of the mistress, Teresa Raffo, in Luchino Visconti's final film, L'Innocente (1976). She had more success in TV movies, including Love's Savage Fury.

In 1982, O'Neill starred in the short-lived NBC prime time soap opera Bare Essence. In 1984, she played the lead female role on the CBS television series Cover Up; the lead male actor, Jon-Erik Hexum, was killed in the studio playing with a blank (cartridge consisting of a case, primer, and propellant, but no bullet), and the series ended after just one season (with Antony Hamilton as the new male lead).

College Football Good Looking Girls

College Football Hottest Girls. Check out for some of the best beauty of College Football.

SSC Result 2010, Staff Selection Commission Results 2010

SSC CGL Tier 2 Result 2010 – SSC CGL 2010 TIER-II Result – Staff Selection Commission Declared SSC CGL 2010 Tier 2 Written Exam Result
SSC, Staff Selection Board has declared the results of TIER – II Exam. It is the result of Staff Selection Commission conducted theCombined Graduate Level (Tier-II) Examination, 2010 on 31.07.2010 and 01.08.2010 for the candidates who were declared qualified on the basis of the Combined Graduate Level (Tier-I) Examination, 2010.
Following is the details of candidates who have qualified for Interview /Skill Test for the different posts :
(I) Candidates qualified for Interview (Tier-III) Examination for the posts of Assistants in CSS (M), Assistants in non-CSS Cadre and Inspector of Posts (N), Inspector in Central Excise /Preventive Officer /Examiner (O), Sub-Inspector in CBI (P) and Inspector of Income Tax /Assistant Enforcement Officer (Q):

Note:- 25 candidates who have not opted for any of the five preferences: M, N, O, P and Q were not considered for these posts despite securing cut off marks or above.

(II) For the post of Assistants in CSS cadre (Preference M) – Besides interview in the Tier III examination of CGL 2010, a candidate is required to clear computer proficiency test also.

The computer proficiency test has been introduced first time for the post in the examination.

In order to have a pool of sufficient number of candidates available for selection for this post, Commission has decided to further lower the cut off for Assistant in CSS cadre.

College Football Schedule

EAST Boston College 38, Weber St. 20
Bryant 44, Fordham 30
Colgate 30, Monmouth, N.J. 29
Duquesne 17, Bucknell 13
Holy Cross 38, Howard 7
Massachusetts 27, William & Mary 23
New Hampshire 33, Cent. Connecticut St. 3
Penn St. 44, Youngstown St. 14
West Virginia 31, Coastal Carolina 0
SOUTH
Alabama 48, San Jose St. 3
Alabama St. 34, MVSU 6
Alcorn St. 50, Langston 27
Appalachian St. 42, Chattanooga 41
Auburn 52, Arkansas St. 26
Bethune-Cookman 70, Edward Waters 10
Campbell 20, Virginia-Wise 16
Charleston Southern 41, North Greenville 31
Clemson 35, North Texas 10
Duke 41, Elon 27
Florida 34, Miami (Ohio) 12
Florida St. 59, Samford 6
Georgetown, D.C. 20, Davidson 10
Georgia 55, Louisiana-Lafayette 7
Georgia Southern 48, Savannah St. 3
Georgia Tech 41, S. Carolina St. 10
Jackson St. 32, Delta St. 17
Jacksonville 35, Old Dominion 25
Jacksonville St. 49, Mississippi 48, OT
James Madison 48, Morehead St. 7
Kentucky 23, Louisville 16
Liberty 52, St. Francis, Pa. 7
Louisiana Tech 20, Grambling St. 6
McNeese St. 30, Lamar 27
Mississippi St. 49, Memphis 7
Morgan St. 14, Bowie St. 7
N.C. State 48, W. Carolina 7
Northwestern 23, Vanderbilt 21
South Florida 59, Stony Brook 14
Tennessee 50, Tenn.-Martin 0
Tennessee St. 27, Alabama A&M 14
The Citadel 56, Chowan 14
Troy 30, Bowling Green 27
UCF 38, South Dakota 7
VMI 48, Lock Haven 6
Virginia 34, Richmond 13
Winston-Salem 21, N. Carolina A&T 14
MIDWEST
Army 31, E. Michigan 27
Butler 29, Albion 13
Dayton 28, Robert Morris 14
Indiana St. 57, St. Joseph's, Ind. 7
Iowa 37, E. Illinois 7
Kansas St. 31, UCLA 22
Lehigh 28, Drake 14
Michigan 30, Connecticut 10
Michigan St. 38, W. Michigan 14
Missouri 23, Illinois 13
N. Dakota St. 6, Kansas 3
Nebraska 49, W. Kentucky 10
Notre Dame 23, Purdue 12
Ohio 33, Wofford 10
Syracuse 29, Akron 3
SOUTHWEST
Arkansas 44, Tennessee Tech 3
Baylor 34, Sam Houston St. 3
Houston 68, Texas St. 28
Oklahoma 31, Utah St. 24
Oklahoma St. 65, Washington St. 17
TCU 30, Oregon St. 21
Texas 34, Rice 17
Texas A&M 48, Stephen F.Austin 7
FAR WEST
Air Force 65, Northwestern St. 21
BYU 23, Washington 17
California 52, UC Davis 3
Colorado 24, Colorado St. 3
Idaho St. 32, Montana Western 3
Montana 73, Western St.,Colo. 2
Montana St. 59, Fort Lewis 10
N. Colorado 54, Adams St. 0
Oregon 72, New Mexico 0
Stanford 52, Sacramento St. 17

Jacksonville State 49, Ole Miss 48 Game - Watch Video, Gamecock's Upset

Great Upset Match between Jacksonville State's 48-47 double overtime win over the Ole Miss Rebels. Jacksonville State quarterback Coty Blanchard firing a short pass to running back Calvin Middleton, who takes it in for the score. This happened one play after Blanchard's 30-yard touchdown pass on fourth-and-15 in double overtime.

Some other notes from the Gamecocks' upset in Oxford:

• This was the 19th time since 2004 that an FCS school has beaten an FBS school.

• Ole Miss is the first SEC team to lose to FCS school since Mississippi State lost to Maine in 2004.

• The Rebels lose to a team outside the FBS since Nov. 29, 1945, when they lost 31-6 to Tennessee-Chattanooga.

• Entering Saturday, teams currently in the SEC had been 35-1-1 against teams from the Ohio Valley Conference. The only loss by an SEC team against an OVC team entering was in 1907, when Southeast Missouri State beat Ole Miss in 1907 (neither conference was in existence then).

• Jacksonville State beats an FBS opponent for the first time since a 31-28 win at Arkansas State in 2001. The Gamecocks are now 4-13 against FBS teams.

• Jacksonville State entered the game ranked 17th in the FCS Coaches' Poll. JSU finished 16th in the poll last season.

North Carolina Football Investigation , NCAA Rules

 North Carolina declared 13 of its players ineligible on Friday for the opening contest on Saturday against LSU for violating school and/or NCAA rules.

June 21: NCAA investigator Chance Miller sends North Carolina an interview notice form explaining to athletes that they will be asked if they have knowledge of rules violations.

July 12-13: Miller and Rachel Newman Baker interviewed an unspecified number of athletes, including defensive solutions Marvin Austin and wide receiver Greg Little, in the UNC in connection with the probe of whether players received improper benefits from sports agents.

August 4: UNC athletic director Dick Baddour confirmed that investigators NCAA ago on campus.

August 10: Former player UNC Cam Thomas said a former teammate, Kentwan BalmerKentwan Balmer, Thomas Austin and paid training in California – a possible violation of NCAA rules – in the summer of 2009.

Aug. 26: UNC announces investigation of possible academic misconduct involving football players and former students of the teacher.

September 1: Austin suspended indefinitely for violating team rules and neglecting his duties in the team.

Sept 3 : UNC says six players, including Little and Austin, to be the season opener today against Louisiana State in violation of the school and / or NCAA rules. Seven other players retained from the game during the investigation continues.

Katrina Kaif’s new Fake Scandal Video Photos

A new video of Katrina Kaif look like published on Youtube. This scandal video of Katrina Kaif can be viewed on below link Online :

[Watch Katrina New Scandal Video] 

Janet Jackson,Newest Brand Ambassador of Blackglama Fur

Janet Jackson has joined an elite group of legendary Hollywood figures that have been photographed,wrapped in the famous brand of furs. 

Blackglama fur has become known for its naturally rich,dark brand of minks. The brand has also built its reputation on designing quality-elegant, luxurious mink products. 

Blackglama's product line extends to leather bags,fragrance, eyewear, and fur acessories.Blackglama has also become equally popular and well known for  featuring iconic figures in  its ads throughout the decades.

Although, Pamela Anderson has branded Janet Jackson "greedy" for signing up as the new face of a fur firm - calling the singer's backtrack on animal rights issues "disappointing".

The list  of stars  to pose in the ads ,over the years include: Bette Davis, Audrey Hepburn, Ray Charles, Sophia Loren, Marlene Dietrich, Elizabeth Taylor, Diana Ross, Lauren Bacall, Lena Horne, Liza Minelli, Judy Garland, Faye Dunaway, Cindy Crawford, Naomi Campbell and  many more.

Blackgama's CEO, Joe Morelli shared in a press release why the fur label chose Jackson  for this year's "legend" ad campaign and what image she represents . Morelli says, "Janet is an icon in the world of music and entertainment, a true legend. She represents everything that this storied campaign embodies. Janet is to entertainment what Blackglama is to luxury."

Rahul Mahajan wife Dimpy Ganguly Divorced ? Photos

Now , A Big Story of TV time ended. Rahul Ab Dulhaniya nahi le jayega, Kolkata-based model Dimpy Ganguly, who married Rahul Mahajan on NDTV Imagine's swayamvar reality show, Rahul Dulhaniya Le Jayenge, dumped him, alleging domestic violence.

Dimpy left Rahul's residence in Worli after she was beaten up by him.Mumbai newspaper has published a pictures where she was seen with injuries in her left thigh and swollen face. She also had bruises in both her hands.

According to the tabloid, the incident occurred on Thursday morning, when Rahul tried to open a message received by Dimpy Ganguly on her cell phone. He could not because the phone was locked. When he tried to awake Dimpy to unlock the phone, she reportedly asked him to let her sleep.

According to Dimpy's version, Rahul suddenly turned violent and thrashed her. She said he punched, kicked and dragged her by her hair. Her father arrived at Rahul's house at 4 pm after she related the incident to him over the phone. That's when she returned to the house, packed her bags and left.

While Dimpy explains, “One such fight got so out of hand that I had to call my mother-in-law. Later he was angry that I had involved his mother in the affair.”

 

Rahul had once pointed a gun at her; Dimpy says that she wouldn’t like to go back to his house right now as she is highly insecured there. The end of the relationship is an expected divorce between them.